Wednesday, 21 November 2012

Coriolanus (2011)

Ralph Fiennes has a deep history with this particular Shakespeare play after his much appraised portrayal of the title character about ten years ago. With the help of screenwriter John Logan (GladiatorHugo) and cinematographer Barry Ackroyd (The Hurt Locker), Fiennes offers us an exciting modern adaptation of the little known and little loved play. Modern adaptations of Shakespeare are not uncommon but there is always the danger that the connection between the plot and the updated setting will start to wear a little thin. For example, I was lucky enough to see Michael Sheen in Hamlet at the Young Vic last Christmas. Not only was he amazingly talented, mesmerising and rather beautiful (in a crazy way) but the adaptation itself was pretty exciting. The action was set in a mental asylum where Claudius and Gertrude were medical staff and Hamlet their patient. This worked incredibly well until the plot demanded that the staff organise a deadly fencing match between their patients. Obviously there needs to be a suspension of disbelief but the scene did stand out as a bit much. When plays deal with plots set in the Elizabethan period there is bound to be a certain amount that doesn’t quite translate. The trick is making sure these elements blend in enough that it doesn’t really matter.


Sunday, 4 November 2012

Skyfall (2012)

Daniel Craig’s time as James Bond has certainly had its ups and downs since the announcement that he would take over from previous incarnation Pierce Brosnan. Although, I think it’s safe to say that, despite what you may have thought about Quantum, Craig has shown that he has more than enough skill to take on the challenge of such a renowned figure. This was a Bond for the modern age; a Bond who takes on the physical challenges expected of a super spy whilst still looking every part the traditional English gent. That was the greatest thing about Casino Royale, we had a film that took a character rooted in the British tradition of stiff upper lipped patriotism and turned him into a gritty action hero with just enough heart. Casino Royale changed the rules for 007 and remains the best film of the series. This has, of course, meant that all future films will be compared to it. Something that didn’t go well for the disappointing and much criticised Quantum of Solace and something that will mean that Skyfall won’t get the full appreciation that it deserves. It is no Casino Royale but the latest offering is the perfect celebration of 50 years of Ian Fleming’s literary construction.

 
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